AskDefine | Define anapaest

Dictionary Definition

anapaest n : a metrical unit with unstressed-unstressed-stressed syllables [syn: anapest]

User Contributed Dictionary


Alternative spellings


From anapaestus, from ἀνάπαιστος, from ἀνά + παίειν.


  • /ˈænəpɛst/
  • Hyphenation: an·a·pest


  1. In the context of "US|prosody": A metrical foot consisting of three syllables, two short and one long (e.g the word "velveteen").
  2. In the context of "US|prosody": A fragment, phrase or line of poetry or verse using this meter; e.g. “Every Who down in Whoville liked Christmas a lot, but the Grinch, who lived just north of Whoville, did NOT!” (Dr Seuss aka Theodor Geisel).

Derived terms



metrical foot
  • Croatian: anapest
verse using this meter
  • Croatian: anapest



hr-noun m

Extensive Definition

An anapaest or anapest, also called antidactylus, is a metrical foot used in formal poetry. In classical quantitative meters it consists of two short syllables followed by a long one (as in a-na-paest); in accentual stress meters it consists of two unstressed syllables followed by one stressed syllable. It may be seen as a reversed dactyl.
Here is an example from William Cowper's "Verses Supposed to be Written by Alexander Selkirk" (1782), composed in anapaestic trimeter:
I am out of humanity's reach
I must finish my journey alone
Because of its length and the fact that it ends with a stressed syllable and so allows for strong rhymes, anapaest can produce a very rolling, galloping feeling verse, and allows for long lines with a great deal of internal complexity. The following is from Byron's The Destruction of Sennacherib:
The Assyrian came down like a wolf on the fold
And his cohorts were gleaming in purple and gold
And the sheen of their spears was like stars on the sea
When the blue wave rolls nightly on deep Galilee.
An even more complex example comes from Yeats (The Wanderings of Oisin). He intersperses anapests and iambs, using six-foot lines (rather than four feet as above). Since the anapaest is already a long foot, this makes for very long lines.
Fled foam underneath us and 'round us, a wandering and milky smoke
As high as the saddle-girth, covering away from our glances the tide
And those that fled and that followed from the foam-pale distance broke.
The immortal desire of immortals we saw in their faces and sighed.
The mixture of anapaests and iambs in this manner is most characteristic of late 19th century verse, particularly that of Algernon Swinburne in poems such as The Triumph of Time and the choruses from Atalanta in Calydon. Swinburne also wrote several poems in more or less straight anapaests, with line-lengths varying from three feet ("Dolores") to eight feet ("March: An Ode"). However, the anapaest's most common role in English verse is as a comic metre, the foot of the limerick, of Lewis Carroll's poem The Hunting of the Snark, Edward Lear's nonsense poems, T. S. Eliot's Book of Practical Cats, a number of Dr. Seuss stories, and innumerable other examples.
Apart from their independent role, anapaests are sometimes used as substitutions in iambic verse. In strict iambic pentameter, anapaests are rare, but they are found with some frequency in freer versions of the iambic line, such as the verse of Shakespeare's last plays, or the lyric poetry of the 19th century.
anapaest in Catalan: Anapest
anapaest in Danish: Anapæst
anapaest in German: Anapäst
anapaest in French: Anapeste
anapaest in Italian: Anapesto
anapaest in Hebrew: אנאפסט
anapaest in Dutch: Anapest
anapaest in Japanese: アナペスト
anapaest in Norwegian: Anapest
anapaest in Polish: Anapest
anapaest in Portuguese: Anapesto
anapaest in Romanian: Anapest
anapaest in Russian: Анапест
anapaest in Swedish: Anapest
anapaest in Ukrainian: Анапест
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